Previously, we looked at Christopher Booker’s 7 basic plots of how stories are told. Today, we’ll look at the third of these 7 from a content marketing perspective: The Quest.
If you’ve enjoyed Lord of the Rings, you’ve enjoyed The Quest. The hero endures a difficult journey to a destination, to a goal of some kind. The quest could be to destroy the One Ring in the fires of Mount Doom. The quest could be a journey across Tibet. The quest could be a struggle for enlightenment or freedom.
The key to a quest story is to focus on the hero’s journey. Imagine a movie in which the hero hits a giant stone with a mallet a thousand times. The first 999 strikes produce nothing; the stone’s exterior doesn’t even so much as chip. On the thousandth strike, the stone splits open to reveal a cache of diamonds. Would you watch a movie in which the first 89 minutes were pure tedium in order to reach the payoff of the stone splitting at minute 90? Highly unlikely. You’d leave the theater after the first 5 minutes. Why? The hero is reduced to the role of an automaton.
Now imagine the same story, but told differently:
The hero might leave after the first few strikes to get different tools.
The hero might bring a friend.
A crowd gathers and the hero finds a love interest in the crowd.
A brief back story of how the stone got there is told.
An able, trusted assistant counts the stone strikes and motivates the hero.
All these tactics can be used to transform an incredibly boring story into one that’s more compelling, because they focus on the hero’s journey, rather than the objective or destination.
The quest is a format used most often in case studies, and very often, marketers focus on the wrong thing. They belabor the context and setup so much that the audience loses interest long before the payoff, instead of showcasing the hero’s journey. Or, as in the example above, they highlight the wrong subject. As marketers, we tend to focus on ourselves, our products, and our solutions. Imagine the boring movie example was an advertisement for hammers. You’d spend 89 minutes showing the hammer hitting the rock, when the story of the person using the hammer, the latter example above, is the hero’s story that your audience would find compelling.
When you’re telling your customer’s story, take pains to highlight the journey and how your hero – the customer – is changed by it, as opposed to the destination or the tools your customer uses to get there. The destination may inspire the call to action you as a marketer want to achieve, but without the story of the journey, your audience will never arrive.
Life’s a journey, not a destination. The same is true of The Quest. If you’re going to use this format in your marketing, tell the hero’s story.
In our next post in the series, we’ll talk about hobbits.
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